With its shimmering synth washes, sultry sax and snatches of otherworldly melodies, Vangelis’s score for Ridley Scott’s sci-fi parable immerses the viewer in the world of L. a., 2019, one of many richest dream-futures in cinema. To Eun-Soo, it felt similar to a signal for her to squander no time in confessing her inner thoughts toward Seon-Woo